Star Wars: A New Hope
Uncut obviously raises interesting questions about ownership, fandom, and
our desire to be a part of something bigger than ourselves. But it also raises
questions about what we’re “allowed” to reimagine or revise and why. The
leviathan that is Star Wars seems to
remain unscathed by hundreds or thousands of people reimagining all or part of
it, in the way that The Rolling Stones
is unaffected by my walking down the street and whistling “Beast of Burden.”
Perhaps the size (in terms of access and popularity) has a direct impact on what
we’re allowed to revise or reimagine. I’m thinking of a parallel to dominant
and marginalized groups and the privileges afforded to each. It’s more
culturally acceptable for a marginalized group to assimilate into a dominant
culture than it is for a member of a dominant group to embody cultural aspects
of a marginalized group (i.e. cultural appropriation). In that way, fans
reimagining Star Wars are assimilating into part of a dominant culture, so that
seems much more acceptable than, say, George Lucas trolling fan pages and taking
ideas from ordinary fans without crediting them (which reads as exploitative
and underhanded).
My son, Henry, participating in fandom at a young age. I made this costume without permission from Lucasfilm. |
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