Romeo
and Juliet has shifted into the category of “high art” due to its transformation from
function to form; that is over time the play began to look less like our own
world and more like that of a time bygone allowing it to take on an art aesthetic and move away from resembling our everyday life. The language began to sound
less like that of our own and as a result required deeper thought to process
and relate the story to our own lives.
Adaptations,
though, re-ground the original story in function. When the plot is re-imagined in our own world and is recognizable we are able to more easily process what we
are seeing/reading/hearing. Adaptations allow a modern audience to have
instantly recognizable feelings. Bourdieu describes in his article "Distinction and the Aristocracy of Culture" that according to theory
emotion makes something ordinary. He writes, “a systematic refusal of all that
is ‘human’, by which he means the passions, emotions and feelings which
ordinary people put into their ordinary existence, and consequently all the
themes and objects capable of evoking them: ‘People like a play when they are
able to take an interest in the human destinies put before them’, in which they
‘participate as if they were real life events’” (177). An example of how
Westside Story is “functional” as opposed to simply a subject of artistic form
comes in the number “Gee, Office Krupke.” In the song the Jets sing satirically
of how they ended up in their current situation. They sing of lacking parental
love and care, i.e. social guidance to learn right and wrong. This song relates to a social function and as a result shifts it away from simply having an
aesthetic form.
https://ramblingrooby.wordpress.com/2013/08/03/jay-z-the-artist-picasso-baby-a-performance-art-film/ |
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